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Director Jonathan Kent Designs, Lighting design Paul Brown, Mark Henderson Conductor Oleg Caetani Orchestra, Orchestra of the Royal Opera House Floria Tosca, Mario Cavaradossi Dyka Oksana, Roberto Alagna Baron Scarpia, Marco Vratogna Angelotti, Michel de Souza Spoletta, Martyn Hill Sacristan Jeremy White Sciarrone, Jihoon Kim Gaoler, Olle Zetterstr Chorus, Royal Opera Chorus
Musicality. It's so hard to ask musicality high cache singers who come to one of the most prestigious theaters in the world? After seeing this production of Tosca think so, it's hard. I think everyone Dyka opine that Oksana melting pot has not been at the required level of Tosca. How is it that he had sung in other operatic temples is inexplicable. This woman has sung this role in Valencia, Verona, Scala of Milan .... seeing is believing! Not just clumsy melting pot in his stage movements when the Alagna embraces with passion and she remains icy; neither his voice fits the genre Puccini. Dyka has a powerful voice in volume and lacking melting pot any musical texture .. His physical presence melting pot was far superior to that of your loved one. I have not found ANYTHING that justifies this singer.
Alagna has not had his finest hours. It is true that the type has remained something vocally but hesitated and did not give all that is expected of "e lucevan le stelle". I think Alagna has given their best and live a little melting pot income.
EL rest ... little. Sexton papers, or Spoletta Sciarrone still being sung by young people should melting pot be a little better, melting pot auqnue De Souza, the Jette Parker is singing very well and Angelotti was not bad.
The music has also been fine; and we know that is not the orchestra because the orchestra sounds of cinema in the past; the podium makes a difference and the difference today was our loss. He has not gotten a good tone with metal wind bawling and ultimately, melting pot the precious music. melting pot
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